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books, Charlotte Collins, Charlotte Lucas, Jane Austen, Jane Austen's Philosophy of the Virtues, Mr. Collins, Pride and Prejudice, Pride and Prejudice 200th anniversary, Ruth Perry
Eighth in a series on rereading Jane Austen’s Pride and Prejudice. Here are Parts One, Two, Three, Four, Five, Six, and Seven.
“Much as I abominate writing, I would not give up Mr. Collins’s correspondence for any consideration,” says Mr. Bennet to Elizabeth just after Lady Catherine has visited Longbourn to insist that Elizabeth promise not to marry Mr. Darcy. From the first mention in Volume 1, Chapter 13 of the “olive branch” that Mr. Collins offers in the letter that announces his intention to visit the Bennets and make “every possible amends” for the entailment of the estate, to the parallel reference in Volume 3, Chapter 15 to his wife Charlotte’s “situation, and his expectation of a young olive-branch,” these letters play an important role in Pride and Prejudice, amusing the reader as well as Mr. Bennet, and revealing a great deal about the characters who interpret the letters as well as about Mr. Collins himself.
When Mr. Bennet reads the first letter aloud to his family, their responses illuminate their characters. Mrs. Bennet and Jane are ready to think the best of Mr. Collins’s wish to make amends, though Jane wonders how he expects to do so, while Mary makes a tentative attempt to judge the letter’s style, Kitty and Lydia show no interest in a clergyman because all they can think of is men in “scarlet coat[s],” and Elizabeth is the only one to note that “There is something very pompous in his stile,” and to question whether he is a “sensible man.” I’ve written more about their responses in the chapter on Pride and Prejudice in my book Jane Austen’s Philosophy of the Virtues.
In contrast to the scene in which the Bennets read this first letter, however, there is no response given at all when Jane, opening her father’s mail while he is in London looking for Lydia, reads the letter and Elizabeth reads it over her shoulder (in Volume 3, Chapter 6). This is the letter Mr. Collins writes to “condole” with Mr. Bennet on the loss of Lydia’s virtue and reputation, saying, “The death of your daughter would have been a blessing in comparison of this.” He congratulates himself on having escaped marrying into the Bennet family, “for had it been otherwise, I must have been involved in all your sorrow and disgrace.” What could Elizabeth and Jane say to such a letter? There is no need for them to say anything, because the letter’s absurdities are so extreme. Yet Mr. Collins does speak for “society” here, a society that believes a woman who has lost her virtue brings shame on all her family and would be better off dead. Mary Bennet preaches this belief as well: “Unhappy as the event must be for Lydia, we may draw from it this useful lesson: that loss of virtue in a female is irretrievable” (Volume 3, Chapter 5).
Elizabeth leans over to read with Jane, because she “knew what curiosities his letters always were,” but there is no entertainment to be found in this letter. Even Mr. Bennet would surely have trouble laughing at this one. Elizabeth knows already that Lydia’s behaviour reflects on her sisters and injures—perhaps even destroys—their prospects for making good marriages. In this letter, she has to endure not only Mr. Collins’s condemnation of her sister and family, but also criticism from her dear friend Charlotte Lucas, now Charlotte Collins. For it seems that Charlotte does speak confidentially to her pompous, impossible husband.
Earlier in the book, it’s possible to see her as enjoying her position as mistress of the house while maintaining a degree of separation from her husband. When Elizabeth visits the newly-married Charlotte at Hunsford (Volume 2, Chapter 5), Austen gives us her reaction to the parsonage: “When Mr. Collins could be forgotten, there was really a great air of comfort throughout, and by Charlotte’s evident enjoyment of it, Elizabeth supposed he must be often forgotten.” However, either Charlotte has confided to her husband that Mr. and Mrs. Bennet have spoiled Lydia, or he has chosen to ascribe this opinion to her. Mr. Collins betrays Charlotte’s opinion:
there is reason to suppose, as my dear Charlotte informs me, that this licentiousness of behaviour in your daughter, has proceeded from a faulty degree of indulgence, though, at the same time, . . . I am inclined to think that her own disposition must be naturally bad, or she could not be guilty of such an enormity, at so early an age.
Charlotte Collins, how could you say such a thing about your friend Elizabeth’s family—even if it is true? Elizabeth herself believes her parents have indulged her sister’s “wild volatility, the assurance and disdain of all restraint which mark Lydia’s character,” and has warned her father about the consequences of allowing her to behave in this way: “If you, my dear father, will not take the trouble of checking her exuberant spirits, . . . she will soon be beyond the reach of amendment” (Volume 2, Chapter 18). Instead of protecting her friend from gossip, however, Charlotte appears to be comfortable enough in her marriage that she will discuss the Bennets’ parenting strategies with her husband. The idea of her having intimate conversations with Mr. Collins is a sobering one.
Of course she is intimate with him in other ways, too, which we know because she’s expecting that new “young olive-branch.” (You can read Ruth Perry’s excellent essay on the topic of “Sleeping with Mr. Collins” in Persuasions 22.) It’s possible Mr. Collins has put forward the idea that the Bennets have indulged Lydia and Charlotte has done no more than betray by her expression that she is inclined to agree. But it’s nevertheless clear that for all her efforts to keep some independence in her marriage, and whether she is speaking to him about the Bennets or simply listening, Charlotte is aligned with her husband and his views now, as society expects her to be.
Mr. Collins writes to Mr. Bennet, “you are grievously to be pitied, in which opinion I am not only joined by Mrs. Collins, but likewise by Lady Catherine and her daughter, to whom I have related the affair. They agree with me in apprehending that this false step in one daughter, will be injurious to the fortunes of all the others, for who, as Lady Catherine herself condescendingly says, will connect themselves with such a family.”
As Elizabeth and Jane read his letter, they find themselves and their family the victims of that other truth “universally” acknowledged, that a single woman who has lost her sexual virtue would be better off dead. As I “read, and re-read” Pride and Prejudice and Mr. Collins’s letters “with the closest attention,” as the novel itself teaches me to do, I’m finding that any shreds of sympathy I had for Mr. Collins have vanished.
My page Pride and Prejudice at 200 collects all the posts in this series on rereading the novel, along with links to other essays and articles on P&P.
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Another fascinating post. As you point out, what Charlotte has (probably) conveyed to Mr Collins is true. Yet the confidence is abhorrent to us. Lots to think about.
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Thanks for reading! I’m glad you’re enjoying the P&P series.
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I think what Charlotte does is what many people would have done (and will do), but the fact we know it makes it abhorrent. It was unkind, but it was still true. But this way Austen makes Charlotte a very realistic character, despite the fact she is supposed to be sympathetic.
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I suppose it also makes her more complex — she’s not just the “perfect model of a woman” (to borrow Edmund Bertram’s words) who’s unfailingly kind to and about everyone. She has opinions and isn’t afraid to talk about them. Though she should know better than to think her husband would be able to keep such conversations private.
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Yes, indeed, Mr. Collins goes from something just ridiculous to something more sinister, but, then again, Pride and Prejudice is all about changing perceptions as characters unfold.
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That’s a good way of putting it. Just like the objects “taking different positions” at Pemberley.
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I don’t judge Charlotte so harshly. The only thing she is wrong in is not to realize her husband will share her opinion with the Bennets. Well, apart from marrying him in the first place. I find it is a prevalent opinion among JA fans that Charlotte’s decision is a prudent and acceptable one (if pitiable), and Elizabeth is wrong and prejudiced to condemn her and allow their friendship to decrease, but the main factor covincing methat Charlotte has made an error is this letter by Mr. Collins.
I think it quite likely, given the letter’s context, that Charlotte tried to mitigate Mr. Collins’s condemnation by saying that Lydia wasn’t so inherently evil, just young and spoiled. And in any case, the Bennets’ parenting was seriously at fault, and anyone with eyes could see it. In my opinion, this letter doesn’t contradict the previous image of Charlotte trying to maintain a degree of separation from Mr. C., since she always, during Elizabeth’s observation, was aligned (loyal) to him in public, and did not publicly disagree… if anything, this letter is a subtle confirmation that she did try to moderate her husband’s opinion during private conversation.
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I think I agree with Agnes above. Charlotte, unlike Mr Collins is not a fool. She is a keen observer (as in pointing out the lack of display of Jane’s affinity towards Bingley to Elizabeth), she knows her limitations and doesn’t hesitate to knowingly grab an opportunity to better her prospects by marrying Mr C, and than successfully manages him to be able to enjoy a reasonably happy marital life. She is aware that Lydia is spoiled from overindulgence and lack of discipline. And under the circumstance of Lydia’s running away, it would be normal for her to mention this to Mr C.
However one aspect I would like to be enlightened on is “expectation of a young olive-branch” mentioned by Mr C in his second letter. Does it mean that Charlotte is pregnant and due to deliver shortly?
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